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Welcome to our home ...

Dear Friend:

On behalf of our religious family, I welcome you to the residence for pilgrims "Mater Ecclesiae", the time, General House of the Sisters of the Immaculate Conception Teatinos in Rome.

The charisma of the religious community that opens its doors today has its source and foundation in the legacy that our founder, the Venerable ÚRSULA Benincasa, left us more than four centuries ago: "Do everything for love. VIVID NO MORE RULES LOVE. "

Since then, TEATINA of all time, we tried to embody in different environments and cultures this Gospel ideal, from the experience of spirituality providential, Christocentric and Marian. The love of Mary and the relentless pursuit of Christ's face in the brother is the greatest gift we can share with you.

We want your stay at "Mater Ecclesiae" and your visit to the Eternal City are, indeed, a time of grace and blessing. That our house is for you a place of encounter with God and our brothers.

Our prayers are with you.

Mother Frances Mary Gil

Superior General of the Religious

Teatinos
HF

Rome, 2009

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Getting to Mater Ecclesiae? CONTACT

From Fiumicino airport (Leonardo Da Vinci):

• Take the train to Roma Trastevere
• down to Roma Trastevere and take another train passing by the station Roma San Pietro
  (trains by: Cesano, Bracciano, Viterbo - Via 6, down to the 2 nd station
  trains by: Civitavecchia or Pisa Centrale - Via 2, down to the 1 º season)
• Download to Roma San Pietro station
• Cross under the tracks by going to the right the Monte del Gallo Clivo
• Walk about 200 meters up a small ramp with stairs to the left
  Up the ramp and after a bar the first street on the left is the Salita Monte del Gallo
• Our house is the number 25 to - Casa Mater Ecclesiae (ring the bell).

From Ciampino airport:

• Take a bus to Rome Termini and follow the instructions below.
  From Roma Termini: Take the bus
• n.64 Rome to San Pietro Station (last stop).
• Cross Station under the tracks out right on the Clivus Monte del Gallo.
  Walking 200 yards on the left is a small ramp with stairs going up to the Via Monte del Gallo.
• Follow up and after a bar, the first street on the left is the Salita Monte del Gallo.
• Our house is situated at number 25 and (ring the bell).
  

Route station San Pietro Rome :

• to take bus n.64 Roma San Pietro station (last stop).
• Cross station below the tracks coming out right the Clivus Monte del Gallo.
  Walking 200 yards on the left is a small ramp with stairs going up to the Via Monte del Gallo.
• Follow up and after a bar, the first street on the left is the Salita Monte del Gallo.
• Our house is situated at number 25 and (ring the bell).

Click on the map to enlarge and print

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RESIDENCE Mater Ecclesiae

SUORA TEATINA
Salita di Monte del Gallo, 25A 00165 Rome

Tel: (0039)
06.637.46.53 Fax: (0039) 06.39.37.90.50

e-mail: @ gmail.com sr.teatine

www.teatinas.com

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The Walk of UNO, rock and Fall Branch. Claudia Lucia River and Joseph

Going home to be a plus, along with others and lead the life ofrece.Elegir place a block, papers or not, some clothes, books or not mp3 or no.Cierta kind of representation (I'm thinking terms of mild action: next to another and to another) through the residences. The fact that this representation seems to be flickering, is intermittent, it comes and goes. The situation becomes laboratorio.Las residences in question the representation of life itself, is a theater without being, is an actor without being a spectator. Artificial life. Life built.
ambition is ancient community, says Epicurus, 306 BC rented a house near Athens and there were coming friends. I wanted Macedonio Fernández in Paraguay, others in the school Azcona, Suiza.Pero residences have the sense not to promise the continued life together, 10-day contract, 14, 30, 120 and more. What is the affective
institutions, what we want the affection of the institutions. Residences are the height of emotion? It could be scary so close that occurs all. If the policy of the distance is the permanent regulation of our world with others in the residences are implemented intensively.
breads, care and chat Ale, the bridges of Ailin, the availability of the exchange of Laura, the passion of the Twins Chaco, San Juan depth guide to the words of Flower, the analysis of Hannibal, being so close to Lucia herself, the impromptu of Joseph, the concentrated distraction of Leo, Nico continuous joy, conversation and Marian complicity with the mild and toned sinuosity communication with Andrea, to see Chorus perform, meet Ochi, Fer games, painting Tocco, Fer.Las painting works, and the chance of rounds in the process . This is a gift.
time is it paradoxical? In full representation and that excess returns it without artifice, archaic, long and concentrated, deep as the insistent horizon patagonia.Bajo the first bus, Rosario Rock and come to a huge huge study, as seen on the horizon just minutes ago from my asiento.Arriba a sign says Cash & Carry, and on the floor, another sign says UNO supported.
I like the institutions and the power to think we can "manufacture" mini institutions, each one of us could be a micro institution, networks, agencies, governing ambitions economy contracts. These authors' institutions are ecological modes of action of the artist in society, I mean that many begin to think of these rehearsal spaces, what else? Are "seen" and surfaces of the same work, these subjects with those institutions . You work without objects of habit, you are willing to aculturalizarte, lose some to try to be with others, the distance measurement will change. The construction of our day to day, after the residence is not the Rock misma.En this opportunity to invite artists from different cities and of their own, I really like this intención.Es to be resident in their own city seems a registry art practices. Many artists are new to me, is an opportunity to retest what? The extent of the relationship, and that the works are presences, but less strong networks and links these spaces ensayan.Ahora the Paraná twinkle like cypresses Rock.

Claudia

River, March 2009

* UNO is a residence for artists, organized by Studio 13, Rock, Black River, Argentina.ar February 2009 was his first edicion.Laura Spivak, Eva Grinstein and I were invited to spend a few days, talk and be part of a panel discussion at the Museum of Fine Arts.

Published in: http://clubdeldibujo.wordpress.com/

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Try coexistence. Andrea Fernández

I accumulated and putting in dialogue fragments of stories related to my travel and my memory settings. I am interested in the relationship between what is and what is hidden from view. Test coexistence of words, images and gestures, as a subtle form of resistance ...

test to inventory stories: beginning this project I developed an internal blog ( recorridosandreafernandez.blogspot.com) in which I seek to create an inventory of stories / paths, sorting the photographs from my archive of the past three years, according to different criteria, then manufactures word-reviews of some of these pictures, trying out different modes of description, to get closer to formal, poetic and narrative, but always with the intention to classify the accumulation of fragments of stories that transported from one place to another.


After printing a hundred folder "my pictures", repeated possible classes and grades. I tried several ways to display these groups and texts, until I decided to build a grid with a selection of pictures on the wall, many of which were referenced with a number to a text that had something about them, or from of them. On the other hand I put labels on sheets of paper for internal protected these photographs, taking a note of what was seen in each image, the sheets were exposed gaps, with the description in each of the image away.

Andrea Fernández

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Chaos ... orders. Marcelo "Chorus" Gomez


Marcelo Gomez Chorus wrote on your wall at 2:45

" I think of everything ... past, present, future ... trends in the critical, industry ... in I should be what is not ... and what is ...
return to my childhood and drawing, then I remember that I finished a song and its end will be their destruction as a song ... scripts and stories then I remember ... karma ... shaken awake, ordered chaos ... I Abstract ... back ... cut scene 2: ambient fog, back to reality politically speaking, paperwork on the street, sex, success. court.
ignite ... now my work is art. "

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Flow in communion. Lucia Sorans


"I think my work, to paint, is allowing me to meet, generate technical adjustments to the paint flows into communion with requirements arising from the center subtle, making the paintings expressions of reality, that show the live aspect, we are able to grasp musical understanding. "

Lucia Sorans

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Decide and design strategies. Anibal Buedo


Strategies is an idea I've been working for almost 10 years.
A series of transactions dating from the desire, his own and that of others.
This project has the feature to be in constant motion and go mutating into new forms.



Decide and design strategies that allow us to be happy. Inhabiting an area
, modify, redefine, to intervene, to question it ... well, make it a paradise. Exchanging pictures
privileged moments of our lives. Write
fictional texts (fictional?) For those photos ... transform them into perfect moments. Generate
links.
get me to the bone in the lives of people. Building beautiful worlds to live. Making a film
where my children looking for their father.

These new movements of the original project, this has been moving toward ideas and narrative forms with a load more and more present.

Anibal Buedo and